Lexicon Vortex Mode D'emploi page 54

Processeur d'”audiomorphisme” — ou transmutation audio
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Mod
Fx Lvl
X-RES
LO PASS
MOD
Rate 1
Depth 1
Res 1*
Rate 2
Depth 2
Res 2
* ENVELOPE
Raises filter cutoff frequency
ECHO FX LVL
Lo-pass filter and X-res mod input to echoes
MOD FX LVL
Input to Lo-pass filter and X-res mod
FEEDBACK 1
Feedback gain around ECHO 1
FEEDBACK 2
Feedback gain around ECHO 2
RATE 1
Lo-pass filter mod rate
DEPTH 1
Lo-pass filter mod depth
RESONANCE 1
Lo-pass filter cutoff frequency
RATE 2
Mod glide rate
DEPTH 2
Mod glide depth
RESONANCE 2
Mod cross-resonance
English
Fbk 1
ECHO 1
Echo
Fbk 2
Fx Lvl
ECHO 2
51
Shadow B uses a dynamic low-pass filter as a Host tone
control for its modulation and echo effects. The filter can be
set for a uniform tone, or used to create constantly varying
shades from light to dark.
ENVELOPE raises filter cutoff frequency, so that loud signals are
bright, then darken as they fade.
The low-pass filter, in addition to being dynamically controlled by
ENVELOPE, is controlled by RATE 1, DEPTH 1, and RESONANCE
1. RESONANCE 1 sets the cutoff frequency of the filter. (Higher
values correspond to higher cutoff frequencies.) RATE 1 and DEPTH
1 are modulation controls for the filter. This filter acts as a Host tone
control for the entire effect.
The filter can be set to specific values (using RESONANCE 1) to
cause the effect to be uniformly dark or bright. Alternatively, RATE 1
and DEPTH 1 can be set to produce degrees of brightness and
darkness that constantly change throughout the effect.
The Preset uses slow modulation of the filter to effectively fade
echo and modulation effects in and out of your sound while simulta-
neously changing their tone from bright to dark.
B
13 SHADOW

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