Shadow - Lexicon Vortex Mode D'emploi

Processeur d'”audiomorphisme” — ou transmutation audio
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ECHO 1
HI CUT
Fbk 1*
Fbk 2
Fbk 2
Fbk 1
ECHO 2
HI CUT
X-RES
MOD
Rate 1, Rate 2
Depth 1, Depth 2
Res 1, Res 2
* ENVELOPE
Decreases feedback mix and echo outputs
ECHO FX LVL
Echo output level
MOD FX LVL
Modulation output level
FEEDBACK 1
Total gain of feedback/cross-feed mix for both delays
FEEDBACK 2
Feedback/cross-feed mix for both delays
RATE 1
Mod left glide rate
DEPTH 1
Mod left glide depth
RESONANCE 1
Mod cross-resonance (R to L)
RATE 2
Mod right glide rate
DEPTH 2
Mod right glide depth
RESONANCE 2
Mod cross-resonance (L to R)
English
Echo
Fx Lvl
both echoes.
depth controls for the left and right sides.
Mod Fx Lvl
paths. These filters cause the echoes to get progressively darker as
they repeat. This is reminiscent of the sound of tape echo.
"analog tape" echoes. ENVELOPE is set to pull echoes way down in
the mix while new notes are played. — When your input signal stops,
the echoes are heard. Try this with solos and melody lines.
50
Shadow A is configured as two independent stereo effects.
One is a cross-resonance modulator, the other consists of
cross-mix echoes with high-cut filters in the feedback paths.
ENVELOPE decreases both feedback mix and echo outputs for
The cross-resonance modulator has independent glide rate and
The echoes each have high-cut filters in their respective feedback
The Preset is designed with a subtle stereo chorus in parallel with
A

13 SHADOW

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