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•
Connect the PowerMate's AUX3 SEND with the external amplifi er's input, using the Balanced NF-cable
with the stereo phone plug on one end and the XLR-type connector on the other.
•
Connect all microphones preferably to the monaural inputs of the PowerMate and the keyboards and
other comparable sound sources to the rest of the available inputs
•
Pull all faders down and engage the PowerMate's STANDBY button. This measure prevents unwanted
feedback.
•
First, switch the PowerMate on and then the external amplifi er.
•
In case you have condenser microphones connected to the PowerMate, you can now turn on the
phantom power by pressing the PHANTOM switch.
•
Activate the PowerMate's operational mode through pressing the STANDBY button again.
Soundcheck
•
First, adjust the input levels of the microphones that are connected to the PowerMate. Please proceed
as follows:
1.
Set the corresponding gain controls and the channel faders to their lowest position.
2.
Speak or sing as loud as possible into the microphone.
3.
Use the gain control to adjust the level, so that even at loud passages the red PEAK LED is not
lit but the green SIGNAL present LED lights constantly.
•
Adjust the EQ of the monaural input channels:
1.
Slide the channel fader and the master faders up a bit, so that the sound is heard coming from
the main speakers.
2.
Turn the MID control carefully all the way to the right (+15dB). You should not hear any
feedback.
3.
Play the sound source or speak into the connected microphone.
4.
Turn the frequency control (kHz) slowly from left to right.
5.
Surely and within no time, you will detect the frequency range that is not to your liking or
causing the feedback.
6.
Leave the frequency control in this position and turn the MID control to the left until the sound is
natural or to your liking.
7.
If necessary, adjust the Hi and LOW controls, starting from their centered position, until the
sound matches your personal taste.
8.
Repeat the steps 1 - 7 for all monaural input channels in use.
•
In case you are also using the stereo input channels, you can adjust the levels in a similar way:
1.
Set the LINE TRIM controls, the MIC gain controls, and the channel fader to their lowest setting.
2.
Play the corresponding sound source at the highest volume that is to be expected during the
performance.
3.
Use the LINE TRIM control to adjust the level, so that even at loud passages the red PEAK
LED is not lit but the green SIGNAL present LED lights constantly.
•
Adjust the EQ of the stereophonic input channels:
1.
Slide the channel fader and the master faders a bit up, so that you can hear the sound through
the main speakers.
2.
Adjust the EQ controls at their center position.
3.
Play the corresponding sound source.
4.
Starting from the center position, you can adjust the controls until the sound is to your liking.
Please, keep in mind that major alteration of the EQ-setting does not necessarily result in the
improvement of the overall sound. Especially when sound shaping is concerned, less can be
more.
5.
Repeat the steps 1 - 4 for all stereo input channels in use.
•
If musical instruments are connected directly to the monaural inputs, follow the descriptions above for
adjustment of the microphones.
•
Make sure, that all channel faders, gain controls, and LINE TRIM controls of unused input channels are
at their minimal setting. In this way you avoid unnecessary noise.
STANDARD INSTALLATION
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