Cinema Function; Backlight Compensation Function; Recording In Special Situations (Program Ae) - Panasonic Palmcorder MultiCam PV-VM202 Mode D'emploi

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CINEMA
W.B./SHUTTER/IRIS/
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MF/VOL/JOG
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PUSH
W.B./SHUTTER/IRIS/
MF/VOL/JOG
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PUSH
AUTO MANUAL
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Cinema Function

This function is for recording in a cinema-like wide screen.
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Set [CAMERA FUNCTIONS] >> [CAMERA SETUP] >>
[CINEMA] >> [ON].
≥Black bars appear at the top and bottom of the screen.
To Cancel the Cinema Mode
Set [CAMERA FUNCTIONS] >> [CAMERA SETUP] >> [CINEMA] >> [OFF].
≥For other notes, see page 61.
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Backlight Compensation Function

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This prevents a recording subject from being recorded darker in backlight.
(Backlight is the light that shines from behind a recording subject.)
ª
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Press the [BACKLIGHT] Button.
≥The [ª] Indication
To resume normal Recording
Press the Backlight Button [BACKLIGHT].
≥When the [BACKLIGHT] Button is pressed, the entire screen becomes
brighter.
≥By operating the [OFF/ON/MODE] Switch, the Backlight Compensation
Function is cancelled.
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BACKLIGHT
≥This function cannot be used when the Iris is set.
~~~~~~~~~~~~~~~~~~~~~~~~~
Recording in Special Situations
(Program AE)
Select optimal automatic exposures under specific recording situations.
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Set the Mode Selector Switch to [MANUAL].
≥The [MNL] Indication appears.
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Set [CAMERA FUNCTIONS] >> [CAMERA SETUP] >>
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[PROG.AE] >> a desired Mode [
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≥The Indication of the selected Mode is displayed.
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[5] Sports Mode
FOCUS
For Recording scenes involving quick movements, such as sports scenes.
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[7] Portrait Mode
Focuses on the main subject of the image and leaves the background slightly
out of focus.
[4] Low Light Mode
Preserves the mood of dim light settings without altering picture brightness.
[Ω] Spotlight Mode
Neutralizes the additional brightness created by a spotlight.
[º] Surf & Snow Mode
Compensates for excessive illumination from sun glare to produce a clear
picture.
Canceling the Program AE Function
Set [PROG.AE] on the [CAMERA SETUP] Sub-Menu to [OFF]. Or, set the
Mode Selector Switch to [AUTO].
≥For other notes, see page 61.
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