Table des Matières
Publicité
Les langues disponibles
Les langues disponibles
7.1 PLAN DES FONCTIONS RAPPELEES SUR LE CLAVIER
NB:
Les fonctions indiquées sur le dessin peuvent être appelées tout en maintenant la touche [TRANSPOSE SELECT].
7. APPENDICE
C1
C#1
USB-MIDI EXPANDER MODE (par. 6.2)
D1
D#1
USB-MIDI SEQUENCER MODE (par. 6.2)
E1
RESTORE DEFAULT PANEL (par. 4)
F1
SAVE PANEL CONFIGURATION (par. 4)
F#1
TRANSPOSE -6
G1
TRANSPOSE -5
G#1
TRANSPOSE -4
A1
TRANSPOSE -3
A#1
TRANSPOSE -2
B1
TRANSPOSE -1
C2
TRANSPOSE 0
C#2
TRANSPOSE +1
D2
TRANSPOSE +2
D#2
TRANSPOSE +3
E2
TRANSPOSE +4
F2
TRANSPOSE +5
F#2
G2
G#2
MEMPHIS STYLE OFF (par. 6.4)
A2
MEMPHIS STYLE ON (par. 6.4)
A#2
B2
C3
MIDI DUMP (par. 6.2)
C#3
LAYER MODE OFF (par. 6.10)
D3
D#3
LAYER MODE ON (par.
E3
PEDALS TO LOWER SPLIT (par. 3.2)
F3
PEDALS TO LOWER LAYER (par. 3.2)
F#3
EXPRESSION PEDAL MINIMUM MUTE (par. 6.6)
G3
G#3
EXPRESSION PEDAL MIDI ON (par. 6.2)
A3
EXPRESSION PEDAL MINIMUM NORMAL (par. 6.6)
A#3
EXPRESSION PEDAL MIDI OFF (par. 6.2)
B3
ANALOG IN PRE EFX (par. 6.7)
C4
ANALOG IN POST EFX (par. 6.7)
C#4
WHOLE ORGAN TO FX SEND (par. 6.7)
D4
D#4
UPPER MANUAL TO FX SEND (par. 6.7)
E4
[TREBLE] POT. AS TREBLE (par. 6.3)
[TREBLE] POT. AS TONE CONTROL (par. 6.3)
F4
F#4
STORE EXPRESSION MIN. (par. 6.5)
G4
REVERB POST ROTARY (par. 5.2)
STORE EXPRESSION MAX (par. 6.5)
G#4
REVERB PRE ROTARY (par. 5.2)
A4
A#4
HOLD PED. INT. & EXT. (par. 6.6)
B4
C5
HOLD PED. EXT. (par. 6.6)
C#5
ROTARY PEDAL TOGGLE (par. 6.6)
D5
D#5
ROTARY
PEDAL
MOMENTARY
E5
F5
TONE WHEEL '30 (par. 4.1)
F#5
BC MODEL 1936 (par. 3.2)
G5
TONE WHEEL '50 (par. 4.1)
G#5
B3
MODEL
1956
(par. 3.2)
A4
TONE WHEEL '70 (par. 4.1)
A#5
A100
MODEL
1961
(par. 3.2)
B5
C6
PANIC (par. 6.8)
FR - 23
6.10
)
(par. 6.6)
Mode d'Emploi
Publicité
Chapitres
Table des Matières
