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49. Phase Dist.
Phasing plus distortion.
Distortion Level (DISTORTION): 0 — 100%
Sets the "degree" or "depth" of the distortion portion of the
effect.
Phase Balance (SYMPHO BAL): 0 — 100%
Determines the amount of phase effect appliedtothe distortion
sound.
Modulation Frequency (MOD FREQ): 0.1 Hz — 20 Hz
Sets the speed of the effect variation.
Modulation Depth (MOD DEPTH): 0% — 100%
Sets the depth of the effect.
Modulation Delay (MOD DLY): 0.1 — 8 milliseconds
This sets the basic delay time from the initial direct sound tothe
beginning of the phase effect.
Trigger Level (TRG. LEVEL): 1 — 100
Determines the amplitude of the input signal requiredto trigger
the effect. This parameter, in conjunction with the RELEASE
parameter below, functions effectively as a noise gateto cut out
hiss and noise when aninput signalis not present. TRG LEVEL
should be set so that the effect is activated only when a note
is played on the instrument used.
Release Time (RELEASE): 5 — 32000
milliseconds
Determines the amount of time it takes for the distortion gate
to close after the input signal drops below the trigger level.
Proper setting of the RELEASE parameter is essentialto allow
a natural decay of the source instrument sound.
50. Symphonic Dist.
.
Symphonic plus distortion.
Distortion Level (DISTORTION): 0 — 100%
Sets the "degree" or "depth" of the distortion portion of the
effect.
|
Symphonic Balance (SYMPHO BAL): 0 — 100%
Determines the amount of symphonic effect applied to the
distortion sound.
Modulation Frequency (MOD FREQ): 0.1 Hz — 20 Hz
Sets the, speed of the effect variation.
5
Modulation Depth (MOD DEPTH): 0% — 100%
Sets the depth of the effect.
Trigger Level (TRG. LEVEL): 1 — 100
Determines the amplitude of the input signal required to trig-
ger the effect. This parameter, in conjunction with the
RE-
LEASE parameter below, functions effectively as a noise
gate to cut out hiss and noise when an input signal is not
present. TRG
LEVEL should be set so that the effect is
activated only when a
note is played on the instrument
used.
Release Time (RELEASE): 5 — 32000
milliseconds
Determines the amount of time it takes for the distortion
gate to close after the input signal drops below the trigger
level. Proper setting of the RELEASE parameter is essential
to allow a natural decay of the source instrument sound.
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