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Publicité
4.5.3.
Mono Porta ................................................................................................................................................................................................................... 46
4.5.4.
Mono Retrig. ................................................................................................................................................................................................................. 46
4.6.
Portamento............................................................................................................................................................................ 46
4.6.1.
On ........................................................................................................................................................................................................................................ 46
4.6.2.
Log/Lin ............................................................................................................................................................................................................................ 46
4.6.3.
Portamento Rate....................................................................................................................................................................................................... 46
4.7.
Molette Bend & Molette Mod ....................................................................................................................................... 47
5.
CONTRÔLES DU MODE D'AFFICHAGE ÉTENDU ..................................................................................... 48
5.1.
Partial Select .......................................................................................................................................................................... 48
5.1.1.
Partial Select 1-12 ........................................................................................................................................................................................................ 48
5.1.2.
Copy & Paste ................................................................................................................................................................................................................ 49
5.1.3.
Solo ..................................................................................................................................................................................................................................... 49
5.1.4.
Mute.................................................................................................................................................................................................................................... 49
5.2.
Partial Settings ................................................................................................................................................................... 50
5.2.1.
Partial Volume ............................................................................................................................................................................................................ 50
5.2.2.
Partial Pan ................................................................................................................................................................................................................... 50
5.2.3.
Partial Pitch Track................................................................................................................................................................................................... 50
5.2.4.
Partial Octave ............................................................................................................................................................................................................ 50
5.2.5.
Partial Transpose .................................................................................................................................................................................................... 50
5.2.6.
Partial Tuning............................................................................................................................................................................................................... 51
5.2.7.
Partial Voice Chorus ................................................................................................................................................................................................ 51
5.2.8.
Partial Chorus Fine.................................................................................................................................................................................................. 52
5.2.9.
Partial F.M. Ratio........................................................................................................................................................................................................ 52
5.2.10.
Partial F.M. Fine ....................................................................................................................................................................................................... 52
5.2.11.
Partial F.M. Amount................................................................................................................................................................................................. 52
5.2.12.
Partial Frame Speed ............................................................................................................................................................................................ 52
5.3.
Amplitude Envelope ......................................................................................................................................................... 53
5.3.1.
Amplitude Delay......................................................................................................................................................................................................... 53
5.3.2.
Amplitude Attack ...................................................................................................................................................................................................... 53
5.3.3.
Amplitude Peak ......................................................................................................................................................................................................... 53
5.3.4.
Amplitude Decay ...................................................................................................................................................................................................... 53
5.3.5.
Amplitude Sustain.................................................................................................................................................................................................... 53
5.3.6.
Amplitude Release................................................................................................................................................................................................... 54
5.4.
Harmonic Envelope .......................................................................................................................................................... 55
5.4.1.
Harmonic Delay ......................................................................................................................................................................................................... 55
5.4.2.
Harmonic Attack ....................................................................................................................................................................................................... 55
5.4.3.
Harmonic Peak .......................................................................................................................................................................................................... 55
5.4.4.
Harmonic Decay....................................................................................................................................................................................................... 55
5.4.5.
Harmonic Sustain .................................................................................................................................................................................................... 55
5.4.6.
Harmonic Release ................................................................................................................................................................................................... 56
5.5.
Vibrato ...................................................................................................................................................................................... 57
5.5.1.
Vibrato Wave................................................................................................................................................................................................................. 57
5.5.2.
Vibrato Sync ................................................................................................................................................................................................................. 57
5.5.3.
Vibrato Rate .................................................................................................................................................................................................................. 57
5.5.4.
Vibrato Carrier ........................................................................................................................................................................................................... 58
5.5.5.
Vibrato Link .................................................................................................................................................................................................................. 58
5.5.6.
Vibrato Modulator .................................................................................................................................................................................................... 58
5.5.7.
Vibrato Attack.............................................................................................................................................................................................................. 58
5.5.8.
Vibrato Bias.................................................................................................................................................................................................................. 58
5.5.9.
Vibrato S-Curve ......................................................................................................................................................................................................... 58
5.5.10.
Vibrato Quantize .................................................................................................................................................................................................... 58
5.5.11.
Vibrato Invert ............................................................................................................................................................................................................. 59
5.6.
Stereo ....................................................................................................................................................................................... 60
5.6.1.
Stereo Wave ................................................................................................................................................................................................................ 60
5.6.2.
Stereo Sync ................................................................................................................................................................................................................. 60
5.6.3.
Stereo Rate .................................................................................................................................................................................................................. 60
5.6.4.
Stereo Depth............................................................................................................................................................................................................... 60
5.6.5.
Stereo Attack .............................................................................................................................................................................................................. 60
5.6.6.
Stereo Phase .............................................................................................................................................................................................................. 60
5.6.7.
Stereo S-Curve............................................................................................................................................................................................................. 61
5.6.8.
Stereo Alternate.......................................................................................................................................................................................................... 61
5.6.9.
Stereo Invert................................................................................................................................................................................................................. 61
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