Controls; Les Contrôles - ADAM Audio Sub7 Mode D'emploi

Table des Matières

Publicité

5. Controls

5. Les Contrôles
5. Controls
5. Controls
On the front side you will find two potentiometers, one for the volume and one for the
On the front side you will find two potentiometers, one for the volume and one for the
Vous trouverez deux potentiomètres en façade, l'un servant à régler le volume et l'autre
crossover frequency. Both the volume and the frequency can also be controlled by
On the front side you will find two potentiometers, one for the volume and one for the
crossover frequency. Both the volume and the frequency can also be controlled by
la fréquence de crossover. Ces deux réglages peuvent également être gérés depuis la
the remote control. On the rear side, there are more controls (satellite filter, phase
crossover frequency. Both the volume and the frequency can also be controlled by
télécommande. D'autres contrôles sont aussi présents à l'arrière (fréquence du filtre pour les
the remote control. On the rear side, there are more controls (satellite filter, phase
switch, mode). The following tips are intended to assist you at using the controls in
the remote control. On the rear side, there are more controls (satellite filter, phase
satellites, commutateur de phase, mode). Les indications suivantes sont destinées à vous aider
switch, mode). The following tips are intended to assist you at using the controls in
the best manner.
à utiliser les différents contrôles de façon optimale.
switch, mode). The following tips are intended to assist you at using the controls in
the best manner.
the best manner.
5.1
Controls on the front panel and Remote control
5.1
Controls on the front panel and Remote control
5.1
Les Commandes en Façade et le Contrôle à Distance
5.1
Controls on the front panel and Remote control
a)
Volume
a)
a)
Volume
Volume
a)
Volume
Input Sensitivity control from -60 dB to +6 dB relative
Il contrôle la Sensibilité de l'Entrée, entre -60 dB et +6 dB,
Input Sensitivity control from -60 dB to +6 dB relative
to 775 mV when used via the symmetrical XLR input
par rapport à la référence en tension de 775 mV si vous
Input Sensitivity control from -60 dB to +6 dB relative
to 775 mV when used via the symmetrical XLR input
utilisez l'entrée XLR symétrique, ou 250 mV si vous utilisez
or relative to 250 mV when used via the asymmetrical
to 775 mV when used via the symmetrical XLR input
or relative to 250 mV when used via the asymmetrical
l'entrée Cinch (RCA) asymétrique.
Cinch (RCA) input.
or relative to 250 mV when used via the asymmetrical
Cinch (RCA) input.
Cinch (RCA) input.
b)
Frequency
b)
Frequency
b)
Frequency
b)
Frequency
La limite fréquentielle supérieure du caisson de basses
The upper frequency limit of the unit is variable and
The upper frequency limit of the unit is variable and
est variable et peut être librement réglée entre 50 et
can be set to any value between 50 and 150Hz.
The upper frequency limit of the unit is variable and
150 Hz. Le repère 85 Hz correspond à la recommandation
can be set to any value between 50 and 150Hz.
The 85Hz marker indicates the recommendation of
can be set to any value between 50 and 150Hz.
des laboratoires Dolby® pour les configurations sonores
The 85Hz marker indicates the recommendation of
Dolby® labs for surround sound settings. In many
surround. Dans de nombreuses situations, une fréquence
The 85Hz marker indicates the recommendation of
Dolby® labs for surround sound settings. In many
de crossover légèrement inférieure permet d'obtenir
cases, a slightly lower crossover frequency delivers
Dolby® labs for surround sound settings. In many
cases, a slightly lower crossover frequency delivers
une réponse dans les graves plus précise. Si vous utilisez
tighter bass response, for typical near-midfield
cases, a slightly lower crossover frequency delivers
tighter bass response, for typical near-midfield
des enceintes de monitoring de proximité ou semi-proximité
monitors we recommend 70 to 75Hz as upper limit
tighter bass response, for typical near-midfield
monitors we recommend 70 to 75Hz as upper limit
standards, nous recommandons une limite supérieure située
(i.e. -3 dB point in the frequency response).
monitors we recommend 70 to 75Hz as upper limit
(i.e. -3 dB point in the frequency response).
entre 70 et 75 Hz (c'est-à-dire au point -3 dB dans la
(i.e. -3 dB point in the frequency response).
réponse en fréquences).
Please note: If you alter the frequency it is advisable
Please note: If you alter the frequency it is advisable
to check if an alteration of the phase improves the
Please note: If you alter the frequency it is advisable
Important : Si vous modifiez la fréquence de crossover,
to check if an alteration of the phase improves the
sound quality.
to check if an alteration of the phase improves the
nous vous conseillons de vérifier également si l'inversion
sound quality.
de phase peut améliorer la qualité sonore.
sound quality.
Sub7 Manual
Sub7 Manual
Mode d'Emploi du Sub7
Sub7 Manual
+
FREQ
+
FREQ
+
+
FREQ
+
VOLUME
+
VOLUME
VOLUME
/ English
9
/ English
/ Français
9
/ English
9

Publicité

Table des Matières
loading

Table des Matières