Yamaha O3D Mode D'emploi page 285

6. Parameter List For Control
Change Assign
FADER
CHANNEL CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
EFF1 SEND CH1–24, ST IN
EFF2 SEND CH1–24, ST IN
AUX1 SEND CH1–24, ST IN, RETURN1, RETURN2
AUX2 SEND CH1–24, ST IN, RETURN1, RETURN2
AUX3 SEND CH1–24, ST IN, RETURN1, RETURN2
AUX4 SEND CH1–24, ST IN, RETURN1, RETURN2
BUS TO ST 1–4
ON
CHANNEL CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
BUS TO ST 1–4
PAN
CHANNEL CH1–24, ST IN L,R, RETURN1 L,R, RETURN2 L,R
AUX1, 2 CH1–24, ST IN L,R, RETURN1 L,R, RETURN2 L,R
AUX3,4 CH1–24, ST IN L,R, RETURN1 L,R, RETURN2 L,R
BUS TO ST 1–4
BALANCE
ST IN, RETURN1, RETURN2, MAS ST
SURROUND
LR (LEFT,RIGHT) CH1–24, ST IN L,R, RETURN1 L,R, RETURN2 L,R
FR (FRONT,REAR) CH1–24, ST IN L,R, RETURN1 L,R, RETURN2 L,R
PHASE
CH1–24, ST IN L,R
PRE/POST
EFF1 SEND CH1–24, ST IN
EFF2 SEND CH1–24, ST IN
AUX1 SEND CH1–24, ST IN, RETURN1, RETURN2
AUX2 SEND CH1–24, ST IN, RETURN1, RETURN2
AUX3 SEND CH1–24, ST IN, RETURN1, RETURN2
AUX4 SEND CH1–24, ST IN, RETURN1, RETURN2
BUS TO ST 1–4
ROUTING
BUS1 CH1–24, ST IN, RETURN1, RETURN2
BUS2 CH1–24, ST IN, RETURN1, RETURN2
BUS3 CH1–24, ST IN, RETURN1, RETURN2
BUS4 CH1–24, ST IN, RETURN1, RETURN2
MAS ST CH1–24, ST IN, RETURN1, RETURN2
YGDAI 1–8
DELAY
ON CH1–24, ST IN, MAS BUS1–4, MAS ST L,R
TYPE CH1–24, ST IN
TIME HIGH CH1–24, ST IN, MAS BUS1–4, MAS ST L,R
TIME LOW CH1–24, ST IN, MAS BUS1–4, MAS ST L,R
MIX HIGH CH1–24, ST IN
MIX LOW CH1–24, ST IN
FB GAIN H CH1–24, ST IN
FB GAIN L CH1–24, ST IN
Format de données MIDI
EQ
ON CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
F LOW CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
G LOW CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
Q LOW CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
F L-MID CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
G L-MID CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
Q L-MID CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
F H-MID CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
G H-MID CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
Q H-MID CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
F HIGH CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
G HIGH CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
Q HIGH CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
ATT CH1–24, ST IN
DYNAMICS
ON CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
KEYIN CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
RATIO/H_H(HOLD HIGH) CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
KNE/H_L/W(KNEE/HOLD CH1–24, ST IN, RETURN1, RETURN2,
LOW/WIDTH) MAS AUX1–4, MAS BUS1–4, MAS ST
THRESHOLD CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
ATTACK CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
G/RANGE(GAIN/RANGE) CH1–24, ST IN, RETURN1, RETURN2,
MAS AUX1–4, MAS BUS1–4, MAS ST
REL/DCY CH1–24, ST IN, RETURN1, RETURN2,
H(RELEASE/DECAY MAS AUX1–4, MAS BUS1–4, MAS ST
HIGH)
REL/DCY CH1–24, ST IN, RETURN1, RETURN2,
L(RELEASE/DECAY LOW) MAS AUX1–4, MAS BUS1–4, MAS ST
EFFECT
1 PARAM H 1–16
1 PARAM L 1–16
2 PARAM H 1–16
2 PARAM L 1–16
NO ASSIGN
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03D—Mode d'emploi