Table des Matières
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En mode de report ou "Bounce" (mode 1-4 > 5/6)
BAL
INPUT A
UNBAL
INPUT FX
INT MIC
DISTORTION
BAL
INPUT B
UNBAL
En mode de report ou "Bounce" (mode 1-6 > 7/8)
BAL
INPUT A
UNBAL
INPUT FX
INT MIC
DISTORTION
BAL
INPUT B
UNBAL
RECORDER
IN 1
A/D
TRIM
MONO/ST
IN 2
A/D
TRIM
IN 3
MONO/ST
IN 4
IN 5
IN 6
IN 7
IN 8
RECORDER
IN 1
A/D
TRIM
MONO/ST
IN 2
A/D
TRIM
IN 3
MONO/ST
IN 4
IN 5
IN 6
IN 7
IN 8
97
ST
L R
EFF
TRK 1 FADER
TRK 1 PAN
OUT 1
TRK 1 EFF
TRK 2 FADER
TRK 2 PAN
OUT 2
TRK 2 EFF
TRK 3 FADER
TRK 3 PAN
OUT 3
TRK 3 EFF
TRK 4 FADER
TRK 4 PAN
OUT 4
TRK 4 EFF
TRK 5/6 FADER
OUT 5
OUT 6
TRK 7/8 FADER
OUT 7
OUT 8
ST
L R
EFF
TRK 1 FADER
TRK 1 PAN
OUT 1
TRK 1 EFF
TRK 2 FADER
TRK 2 PAN
OUT 2
TRK 2 EFF
TRK 3 FADER
TRK 3 PAN
OUT 3
TRK 3 EFF
TRK 4 FADER
TRK 4 PAN
OUT 4
TRK 4 EFF
TRK 5/6 FADER
OUT 5
OUT 6
TRK 7/8 FADER
OUT 7
OUT 8
Mode d'emploi MR-8
MASTER
MASTERING FX
FADER
REVERB/DELAY
REVERB/DELAY TIME
ST OUT L
DA/C
ST OUT R
PHONES
VOL
PHONES 1
PHONES 2
DIGITAL OUT
ENCODE
MASTER
MASTERING FX
FADER
REVERB/DELAY
REVERB/DELAY TIME
ST OUT L
DA/C
ST OUT R
PHONES
VOL
PHONES 1
PHONES 2
ENCODE
DIGITAL OUT
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Table des Matières
