Functions - RFC L-PAD 12C Manuel Utilisateur

INFORMATION ON THE DEVICE
Thank you for purchasing an RCF mixing consoles mixer.
L‑PAD 12C is a versatile audio mixer equipped with all the tools needed for appropriately processing multiple audio signals from a variety of sources. The
features can be expanded by adding optional cards to implement MP3 audio player/recorder or Bluetooth functions.
CLEAR SOUND
RCF mixing consoles devices combine RCF's professional "sound culture" heritage with innovative design and dedicated manufacturing. RCF mixing
consoles mixing consoles secure clear sound, accurate sound dynamics and extreme versatility of use by passionate professional users. RCF mixing consoles
mixers are designed to combine perfectly with RCF active speakers.
RELIABILITY
The unique design of RCF mixing consoles is an expression of typically Italian RCF creativity. RCF mixing consoles mixers combine modern, excellent
ergonomic design. In addition to their striking appearance, the original side profile of the mixers makes them easy to grasp securely.
DESIGN
The unique design of RCF mixing consoles is an expression of typically Italian RCF creativity. RCF mixing consoles combine modern, excellent ergonomic
design. In addition to their striking appearance, the original side profile of the mixers makes them easy to grasp securely.
FEATURES
Inputs
Outputs
Other features
Physical specifications

FUNCTIONS

MIC input (Ch. 1 - Ch. 7/8) Connect your microphones to these balanced XLR connectors:
pin1=Earth, pin2=Hot, pin3=Cold. These inputs are provided with +48 V phantom power for
condenser or electret microphones. Gain scale 0 dB/‑50 dB.
LINE input (Ch. 1 - Ch. 4) Connect your line level devices to these TRS jack connectors:
tip=Hot, ring=Cold, sleeve=Earth. These inputs are suitable for external pre‑amplifier and
DI‑boxes. Gain scale +15 dB/‑35 dB.
INSERT (Ch. 1 - Ch. 4) These TRS connectors: tip=send, ring=Return, sleeve=common earth
allow to send the signal, thru an unbalanced line, to external devices (i.e. compressor) and
return the processed signal back into the channel.
GAIN (Ch. 1 - Ch. 6) This controls the level gain (0 dB/‑50 dB for microphone input and
+15 dB/‑35 dB for line input when in use).
LOW CUT SWITCH: pressing this button causes a frequency cut below 75 Hz with a slope of
12 dB/oct. This is useful to prevent rumbling when using microphones.
COMP (Ch. 1 - Ch. 4). A single potentiometer controls both compressor threshold
and ratio.
4
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6 MIC XLR/line inputs with ¼ inch jack (1, 2, 3, 4 mono lines with 5‑6, 7‑8 stereo line inserts)
4 compressors (Ch. 1 ‑ 4)
2 stereo line inputs with ¼ inch jack (3‑4, 5‑6)
2 stereo line inputs with ¼ inch jack or RCA
1 2TK input with RCA
1 stereo return with ¼ inch jack
1 2TK output with RCA
1 MAIN MIX stereo output with balanced XLR and ¼ inch jack
1 CONTROL ROOM stereo output with ¼ inch jack
1 PHONES stereo output with ¼ inch jack
2 AUX SEND outputs with ¼ inch jack
Three‑band EQ on mono channels
Dual‑band EQ on stereo channels 9‑10, 11‑12
2 AUX SEND
Optional card slot: MP3 player card, MP3 player/recorder card (with USB 1.1
port for USB flash drive up to 32 GB), Bluetooth connection card
Internal PSU 100 V‑240 V, 50‑60 Hz, 40 W
Dimensions: L = 480 mm, W = 340 mm, H = 100 mm
Weight: 3.830 kg