AKG Acoustics CCS Série Mode D'emploi page 12

2 Using Your Microphone
2.4 Positioning
the Microphone
for Instruments
2.4.1 Flute
Refer to fig. 4.
2.4.2 Saxophone
Refer to fig. 5.
2.4.3 Harmonica
Refer to fig. 6.
2.4.4 Trumpet,
Tuba, Trombone
Refer to figs. 7, 8, 9.
12
The following sections contain suggestions for
placing the microphone optimally for a number of
instruments.
Please note that moving the microphone closer to
the instrument will boost the bass range. (This is
known as "proximity effect".)
Microphone: D 77 S
Working distance
Jazz/pop: 1 to 2 inches. Blow a little below the
microphone to avoid overemphasizing blow-
ing and breathing noise.
Classical music: 4 to 8 inches above the instru-
ment.
Microphones: D 22, D 77 S
Working distance
0 to 2 inches: The microphone will pick up the bell
sound only.
2 to 8 inches: The microphone will pick up both
the bell sound and the sound radiated from
the keys.
Microphone: D 77 S
Working distance: "zero" - clamp the micro-
phone between your hands. You will get a very
direct sound that you can "shape" with your
hands.
Microphone: D 22 (trumpet), D 11 (tuba and
trombone)
Working distance
0 to 2 inches: The microphone will pick up the bell
sound only.
2 to 8 inches: The microphone will pick up both
the bell sound and the sound radiated from
the body.