Fender PASSPORT Mode D'emploi page 9

5. Connect each of your microphones, instruments
and other sound sources into separate channels
using the appropriate type of input jack. Use the
mono channels on the left for monophonic sources
such as microphones and use the stereo channel
on the right for stereo/mono sources such as CD
players, MP3 players, keyboards and other line-level
audio devices.
T
MASTER VOLUME
6. Rotate the MASTER VOLUME knob and all channel
VOLUME knobs fully counter-clockwise to start.
1 2
MASTER VOLUME
VOLUME VOLUME
TONE TONE
1
VOLUME
PAD PAD
INPUT TONE INPUT
7. Turn on all equipment connected to the Passport first,
then switch the Passport on. The Power LED on the
PAD
INPUT INPUT
Passport should illuminate green.
INPUT
LEVEL
PHONES
OUT
INPUT
PHONES
OUT
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3 4/5
VOLUME VOLUME
TONE TONE
2 3 4/5
VOLUME VOLUME VOLUME
PAD STEREO INPUT
TONE INPUT TONE TONE
L/MONO INPUT
PAD PAD STEREO INPUT
INPUT RIGHT INPUT
INPUT INPUT
L/MONO INPUT
POWER
INPUT INPUT RIGHT INPUT
LEVEL
POWER
8. Turn the MASTER VOLUME knob up to 1/4 volume.
MASTER VOLUME
E M U L O V
1
9. Connect a microphone (or other source) and use
VOLUME VOLUME
it at the intended level, while slowly turning up
that channel's VOLUME knob. Watch the signal
LED above the VOLUME knob. The LED illuminates
TONE
green when small signals are present, changes to
yellow when the signal is strong, and turns RED
when clipping (distortion) occurs from too strong
PAD
of signals. For best performance, set the VOLUME
and TONE controls so that the LED is yellow
INPUT
or green. If the LED is turning red, reduce the
MASTER VOLUME
VOLUME or TONE knob settings. If the LED is still
turning red after adjusting VOLUME/TONE, press
INPUT
the PAD button in.
1
PHONES
OUT
VOLUME VOLUME
TONE TONE
10. Set up each of the other channels in the same way.
Use the channel VOLUME knobs to adjust the
MASTER VOLUME
relative loudness of each
PAD
channel until you get the
right overall balance, then
INPUT INPUT
use the MASTER VOLUME
knob to adjust everything
1 2 3
together.
INPUT INPUT
VOLUME VOLUME VOLUME
11. Start with each of the TONE knobs in the center
detent position. At this setting they
LEVEL
PHONES
TONE TONE TONE
OUT have no equalization effect. From
there you can experiment by
turning each TONE control to see
what sounds best to you. If possible, have someone
PAD PAD PAD STEREO INPUT
walk to each corner of the room and make sure the
settings and speaker positions provide clear and
INPUT INPUT INPUT
L/MONO INPUT
consistent coverage throughout your audience.
Basic set-up is now complete! The following pages
INPUT INPUT INPUT RIGHT INPUT
contain detailed information on each of the Fender
Passport Conference's many features.
LEVEL
PHONES
OUT
2 3 4/5
VOLUME VOLUME
TONE TONE TONE
PAD PAD STEREO INPUT
INPUT INPUT
L/MONO INPUT
INPUT INPUT RIGHT INPUT
LEVEL
2 3 4/5
POWER
VOLUME VOLUME
TONE TONE
PAD PAD STEREO INPUT
MASTER VOLUME
INPUT
L/MONO INPUT
4/5
INPUT RIGHT INPUT
VOLUME
1 2
VOLUME VOLUME
TONE
POWER
TONE TONE
PAD PAD
INPUT INPUT
INPUT INPUT
POWER
LEVEL
PHONES
OUT
3 4/5
VOLUME VOLUME
TONE TONE
PAD STEREO INP
INPUT
L/MONO INP
INPUT RIGHT INPU
POWER
9