Roland V-Synth GT Guide Rapide page 67

Bender/Octave....................................................................................90
Matrix Control .....................................................................................91
Tune ...................................................................................................94
OSC1/OSC2 (oscillateurs 1/2) ......................................................................95
OSC Type ...........................................................................................95
OSC Type (Analog OSC) ......................................................................96
OSC Type (PCM OSC) .........................................................................98
OSC Type (External In) .........................................................................99
Pitch (commun à 'Analog' et 'PCM') .....................................................100
Pulse Width (Analog)..........................................................................101
Fat (Analog) ......................................................................................102
Detune (Analog, avec 'Sub OSC') ........................................................103
SS Detune (Analog, avec SUPER-SAW) .................................................104
Mix (Analog, avec SUPER-SAW) ..........................................................105
Harmonics (Analog, avec FBACK-OSC) ................................................106
FBK Amount (Analog, avec FBACK-OSC) ..............................................107
X-Mod (Analog, avec X-MOD-OSC)......................................................108
Time (PCM) .......................................................................................109
Formant (PCM)...................................................................................110
OSC TVA (commun à 'Analog' et 'PCM') ..............................................111
LFO (commun à 'Analog' et 'PCM') ......................................................112
MOD .........................................................................................................113
MOD Type ........................................................................................113
COSM1/COSM2 .......................................................................................115
COSM Type ......................................................................................115
LFO ..................................................................................................116
TVA ...........................................................................................................117
TVA ..................................................................................................117
LFO ..................................................................................................118
AP Syn (AP-Synthesis)...................................................................................123
Phrase Model ....................................................................................124
Pitch .................................................................................................125
Modify ('Phrase Model'= 'Violin').........................................................126
Modify ('Phrase Model'= 'Erhu')...........................................................127
Modify ('Phrase Model'= 'Sax') ...........................................................128
Modify ('Phrase Model'= 'Flute') ..........................................................129
Modify ('Phrase Model'= 'Multifade')....................................................130
Advanced ('Phrase Model'= 'Violin') ....................................................131
Advanced ('Phrase Model'= 'Erhu') ......................................................132
Advanced ('Phrase Model'= 'Sax') .......................................................133
Advanced ('Phrase Model'= 'Flute') ......................................................134
Advanced ('Phrase Model'= 'Multifade') ...............................................135
Control 1 ..........................................................................................137
Control 2 ..........................................................................................138
Tone-FX (effet de Tone) .................................................................................139
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