Rear Panel; Setting Up; Placing The Receiver - AKG WIRELESS SR 40 diversity Mode D'emploi

2 Description

2.4.2 Rear Panel

Controls
Refer to fig. 2.

3 Setting Up

Important!
3.1 Placing the
Receiver
14
AF/ON, AF/PEAK: These two LEDs indicate the received audio
level. The green ON LED illuminating and the red PEAK LED
flashing occasionally indicate optimum modulation.
If none of the LEDs illuminates, the gain setting on the transmitter
is too low.
The PEAK LED lighting constantly indicates overmodulation.
VOLUME: This rotary control adjusts the receiver's output level
from microphone to line level for matching to the input sensitivity
of your mixer or amplifier.
AUDIO OUT/BALANCED: Balanced 3-pin XLR audio output for
connecting to, e.g., a microphone input on the mixing console.
AUDIO OUT/UNBALANCED: Unbalanced audio output on a 1/4"
TS jack for connecting to, e.g., a guitar amplifier.
POWER: Input connector for the supplied AC adapter.
Strain Relief for the feeder cable of the supplied AC adapter.
Type plate with approval marks and frequency information
(frequencies, frequency sets, color code).
Prior to setting up your WMS 40, check that the transmitter and
receiver are tuned to the same frequency. The easiest way to do
this is to compare the color codes on the transmitter and receiver.
Reflections off metal parts, walls, ceilings, etc. or the shadow effects of
musicians and other people may weaken or cancel the direct trans-
mitter signal.
For best results, place the receiver as follows:
1. Place the receiver near the performance area (stage). Make sure,
though, that the transmitter will never get any closer to the receiver
than 10 ft (3 m). Optimum separation is 16 ft. (5 m).
2. Check that you can see the receiver from where you will be using the
transmitter.
3. Place the receiver at least 5 ft. (1.5 m) away from any big metal
objects, walls, scaffolding, ceilings, etc.
You can either use the receiver freestanding or mount it in a 19" rack
using the optional RMU 40/div. rack mounting kit.