Peavey RQ 2300 Serie Guide D'exploitation page 13

Gain:
Mic Input Gain Adjustment Range:
Mic Input to L/R Balance Output
Mic Input Longest Path
Line Input Gain Adjustment Range:
Line Input to L/R Bal. Output
Line Input to longest Path
Stereo Line Input Gain Adjustment Range
Stereo Line Input to L/R Balance Output
Stereo Line Input Longest Path
Aux Return to L/R Balance Output
Frequency Response:
Mic Input to L-R Output
Total Harmonic Distortion (THD):
<0.008% 20 Hz to 20 kHz Mic to L-R Output
Hum and Noise:
Output Residual Noise
Master L/R
Mono
Monitors
Effects
Sends
(Hum and Noise Measurements: 22 Hz to 22 kHz BW)
S/N Ratio
Ref. 0 dBu
-100 dBu
-88 dBu
-84 dBu
-100 dBu
-88 dBu
-102 dBu
-90 dBu
-95 dBu
-82 dBu
10 dB to 58 dB
78 dB (Max. Gain)
91 dB (Max. Gain)
-10 dB to 38 dB
60 dB (Max. Gain)
73 dB (Max. Gain)
10 dB
36 dB (Max. Gain)
46 dB (Max. Gain)
34 dB (Max. Gain)
11 Hz to 42 kHz +0 dB/-1 dB
(10 Hz to 80 kHz BW)
100 dB
88 dB
84 dB
100 dB
88 dB
102 dB
90 dB
95 dB
82 dB
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Test Conditions
All faders down
Master fader nominal,
Channel faders down,
All channels muted
All controls nominal,
mic gain min.
All faders down
Master fader nominal,
Channel faders down,
All channels muted
All faders down
Master fader nominal,
All channels muted
All controls off
All channel sends nominal