Table Des Matières; From The Uni-Vibe To The Nuvibe; From The Uni-Vibe Developer - Korg Nuvibe Manuel D'utilisation

Thank you for purchasing the Korg Nuvibe vibrato chorus
effector. To help you get the most out of your new instrument,
please read this manual carefully.
Table of contents
From the Uni-Vibe to the Nuvibe. . . . . . . . . . . . . . . . 3
From the Uni-Vibe developer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Installing the batteries (changing the batteries) . . . . . . . . . . . . . . 4
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Top and rear panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Top panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Expression pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

From the Uni-Vibe to the Nuvibe

From the Uni-Vibe developer

Overseeing the redevelopment of a product from half a century ago,
I was first hit with anxiety and embarrassment. This came from being
confronted with how young engineers nowadays have viewed basically
designed instruments while also being taken back to my own younger
days.
At the time, I was estranged from the popular music of the day, but I was
thinking we could skillfully cook up a new instrument by combining
countless familiar "sound" ingredients.
For example, the fading of short-wave broadcasts heard at night was
one of those "sounds". To me, the radio waves of the slowly and
erratically changing Moscow broadcasts finally finding their way to
Japan from so far away felt like nostalgic music. In fact, that is how I
felt about the original Uni-Vibe. However, the challenge of designing
an oscillator that can be significantly adjusted from an extremely slow
cycle to vibrato is still a bitter memory.
This time, young engineers of the same age as me at the time are newly
developing it as the Nuvibe.
Unlike when making a new instrument, the association with an
electronic musical instrument of the past presents a difficulty, and it
is just not as easy as it's generally imagined. Questions, such as how
close it should be to the original (for example, should it also emulate
the shortcomings of the original) and how the original was in the first
place, will emerge.
With original electronic musical instruments of the past, there are, as
with violins, individual differences other than the transformation of
parts with the passage of time. Since it was commonplace for electronic
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Nuvibe Owner's manual