Publicité
LISTE DE PRESETS
113
Pitch -12 and -5
Dirty
114
C+W Diaton Solo in A
Clean / Dirty
115
Eats Your Attack
Clean / Dirty
116
Pedal Octave Down
Clean / Dirty
117
Pedal Octave Up
Clean / Dirty
118
Pitch Dm 5 and 3
Clean / Dirty
119
Pedal Add Octave Up
Clean
120
Flanger Beautyverb
Clean
121
Verb Morphed to Dly
Clean / Dirty
122
I've Been Drinking
Distorted
123
Panner Pedal
Clean / Dirty
124
Picking Style
Clean / Dirty
125
Envelope Filter
Clean / Dirty
126
Nervosa Doubler
Clean / Dirty
127
Blues Room
Clean
128
Hammer to Fall
Clean
129
Iron Man
Clean
130
Thick'n Juicy Lead
Clean
131
Smooth Tubedrive
Clean
132
Duckman Lead
Clean / Dirty
133
Lead Pedal Wah
Clean
134
Touch Wah Driven
Clean
135
Pedal Iiaahh
Dirty
136
Driven Lead
Clean
137
Octavia Lead
Clean
138
The Smiths
Clean
139
Cyber Sci-fi Surfer
Clean
140
Steppers in Time
Clean / Dirty
141
Spaceyplace
Clean / Dirty
142
Bluebox Echophased
Clean
143
Echoverb
Clean / Dirty
144
Duality Effects
Clean / Dirty
145
Bowling Multitaps
Clean / Dirty
146
Slow Swell Pad
Clean / Dirty
147
Expandelay
Clean / Dirty
148
Infinity and Beyond
Clean / Dirty
149
Deep Bass 9
Clean
150
Flange Pedal Speed
Clean / Dirty
151
Duck on Crack
Distorted
152
Sus4 Dreamscape
Clean / Dirty
153
Crazy Brown Lead
Clean / Dirty
154
Eastern Ocean
Clean / Dirty
155
Skysaw Doubler
Clean
156
Synthesized Leads
Clean
157
Sexwah Pedalead Fuzz
Clean
158
Industrial Mayhem
Clean / Dirty
159
Electric Church
Clean / Dirty
160
Trance Yer Ass Off
Clean / Dirty
X
Pedal to heel = Straight clean sound / Pedal to toe = two voice Pitch-shifting -12 and -5.
Play single-note runs for instant twangy Georgian C&W harmonies. Works best on higher strings.
Envelope controlled input volume. Will perform the Volume knob trick automatically.
X
Pedal performs a Whammy down when set to heel.
X
Pedal performs a Whammy up when set to toe.
Single note lead. Play in D-minor with a third and a fifth added.
X
Pedal to heel = crunchy lead sound, Pedal to toe = adds an octave voice.
Dense, thick reverb with medium long decay through a slow flanger. Good for leads and chords.
An Envelope controlled crossfade between Reverb and Delay. Reverb when you play, Delay
when you stop.
X
Pedal to heel = Phased guitar / Pedal to toe = Room spinning.
X
Pedal pans from left to right.
Input sensitive parallel Wah Filter, great for picking guitar.
Envelope Filter effect. Input level threshold dependent.
Fluttery Phaser and Panning with Chorus and Pitch-shifter doubles. Good on both lead and
chords.
Nice for blues.
Totally dominant distorted main rhythm guitar sound, inspired by the famed Queen song.
The Ultimate power chord sound. Metallica, saturated, ominous. Check the tittle, need we say
more?
Nice greasy lead.
Gives you that drive with a loose bottom that you know from older tube amps. Good for lead.
Quacks like a duck, thanks to a Wah-Wah. Brings back the 70's.
X
Feed the G-Force with a clean tone and Wah away with your pedal. Great for leads.
Feed the G-Force with a clean tone and Wah away with your picking power. Great for leads.
X
Feed the G-Force with a dirty tone and talk away with your pedal. Very special lead sound.
Overdriven lead sound with an octave shifter feed into a big hall.
Works well on distortion setting for wild "Yes" type solos.
Wide tremolo sound on top of a punchy distorted sound. Inspired by .....guess who!
Fast Panning Chorus, sweeping Phaser and Pitch-shifter doubles into filtered slap Delays and
very small Reverb.
Stepped Formant Filter that steps in time with repeating Delays. Play along with Delay time for
best effect.
X
Slow echoes and a big Reverb. Pedal controls Phaser level.
The kitchen sink, full fuzz, deep Phaser, pitch at -12 and -5, panned echo and Chorus. Good on
leads.
Smooth chorus, echo + a long hall Verb makes you sound like an ECM artist.
X
Two separate effect chains. Pedal controls the speed and level of the Phaser.
Play melodically in time with the echoes for fun and turn on the Drive for a fuzzed sound.
Dreamy "attack free" sound designed for slow chord or melody passages. Input level dependent
First four repeats become increasingly louder before subsequent repeats decrease in volume.
X
Long Reverb and Delays.
Highly compressed bass sound, designed for ambient/Techno/TR303 emulation.
X
Pedal controls the speed of the Flanger.
X
Pedal to heel = Moderately normal guitar / Pedal to toe = Dynamically contr. duck (1 Octave up).
Dual Shifters add a fourth and a fifth creating a sus4 chord with lots of Chorus, Delay and Reverb
Sounds best on leads. Shifter adds Octave up and down with a crazed Pan and Phaser. Dynamic
Delay.
X
Dual shifters at a 5th and octave above feed into a chorus + a very wet long Reverb. Good for
slow leads.
X
Crashy fuzz into dual Pitch-shifters set an octave up with sweeping high feedback Flanger. Great
for leads.
Fuzz, pitched an octave up and down into Compressor with Touchwah and slap Delays. Good on
soft leads.
X
A complex distorted effect with an octave + a fifth feeding a Chorus and some tap Delays. Pedal
.controls the Formant filters.
Touchwah and a low octave shifter. Input level dependent.
Removes your attack. Sounds very synth-like.
X
For single note lines. Use Ext. 1 to morph from Flanger to Detuned Octaver to Touchwah and
vice-versa.
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Lead
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
Wacky
55
Publicité
