External Effect Output, Eff; Crossfader Assignement; Crossfader Curve Adjust; Effects: Kill, Punch - Ecler SMAC PRO30 Notice D'emploi

Console de mixage
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1.- Remove external screws of the module.
2.- Remove the module.
3.- Disconnect the multipin connectors.
4.- Remove the screws of the element to be replaced.
5.- Replace the desired element.
6.- Fix the new element to the module.
7.- Connect the multipin connectors.
8.- Place the module and fix the screws.
Always use original ECLER GENUINE SPARE PARTS for your SMAC

4.6. External effect output, EFF

Each mixing channel of the SMAC PRO30 are provided with a rotatory potentiometer
(8) to send the signal to an external effect unit: sampler, rever,... The potentiometer controls
the signal level send to the external unit. The EFF output (27) must be connected to the input
of the effect unit and the output of the effect unit can be connected to the MIX input (26) or to
a LINE input. The MIX input is a direct access to the main mix bus and hence, no control is
possible. But if a LINE input is used, the signal can be processed as a normal sound source.

4.7. Crossfader assignement

The SMAC PRO30 has a crossfader with VCA and the adjacent channels (Channel 2
and Channel 3) are permanently assigned to it. The remaining channel, can be assigned to any
of the crossfader extrems (A-B) by means of the 3-position XFADER lever switch (10). This
switch can also bypass the crossfader and send the signal directly to the mix bus.

4.8. Crossfader curve adjust:

Thanks to the VCA concept, it's now possible to modify the gain/attenuation
behaviour of the crossfader. The SMAC PRO30 provides this feature, enabling you to control
the fade-in and fade-out characteristics of the crossfader. The Crossfader knob XF SHAPE (12)
at the housings frontplate let you adjust the response curve from soft to hard independently so
that you could perform from sharp Scratch to smooth House techniques.

4.9. Effects: KILL, PUNCH.

The SMAC PRO30 have two groups of lever switches (15). Each group acts only on
the channel they are placed A or B. When the switches are used, the selected frequency range
is instantaneously eliminated. So, it is possible to mix the bass of a song (by eliminating the
medium and treble) with the medium and treble (by eliminating the bass) of another song.
The PUNCH switches (13) are also instantaneous. The music is instantaneously
inserted if the crossfader is closed (opposite site of the switch pressed). The level of the
punched channel depends on the channel fader.
The combination of these elements offers an incredible fan of possibilities for your
creativity.
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